I’m starting a new project: putting together a family cookbook, one recipe at a time. This recipe is one that my husband grew up with. My family cooked something similar, but I prefer his family’s version. It’s called Monsters because it puffs up in strange ways when it’s cooking. I like to experiment with this recipe. It’s pretty forgiving. When we cook it for our family now, we double it and cook it in two cake pans side by side in the oven at the same time.
Feeling afraid, stressed, overwhelmed, or anxious can really make it difficult to be creative.
What can you do❓
① Be patient with yourself. Calling yourself names or setting unrealistic deadlines will only add to your stress level. Be kind.
② Talk it out. This can be done multiple ways. Talk to a friend or family member — or multiple people. Also write it out in a notebook. In Julia Cameron’s book “The Artist’s Way,” she recommends writing (by hand) 3 pages daily to unload whatever your brain is occupied with.
③ Take a break. Do something that doesn’t engage your brain — let it relax as you walk, do dishes, bake cookies…something repetitive and calming.
④ Accept less than your best. During difficult times, it can be a victory to show up and get something done. Sometimes that’s just how it is, and it’s enough.
⑤ Save you favorite mental escape — movies, social media, books, chocolate — as a reward for getting work done. (The first step of a large project, another item checked off your list, a half hour of solid work, etc.
I like to draw and paint, and I want to improve my technical skills. I cannot go to art school right now, and I’m not getting any younger. So, rather than waste precious time, I am trying to do what I can here and now.
I am lucky. I have access to lovely, helpful books and people to guide me in my studies. This year, each Saturday, I will share some of the work I’m doing and the things that have been helpful. If anyone has any advice or suggestions, please add them to the comments.
I’ll begin with two different activities that I believe have really accelerated my growth as an artist:
My first drawing teacher was probably the book Drawing on the Right Side of the Brain by Betty Edwards. I did all the exercises in the book many times over the years, challenging myself to complete them again every five years or so. Each time I get to the end of the book, I can see the improvements I’ve made. It requires an investment of time, but I think it’s worth the effort. You can check out Betty’s website at http://www.drawright.com/.
Second, I see a lot of growth through consistent drawing practice. Right now, I draw a face a day from life and one from a magazine.
Sketches of two of my kids, 10-17-18 and 10-18-18
Sketches of people going to General Conference from the November 2017 Ensign Magazine of the Church of Jesus Christ of Latter-day Saints, sketched on 8-31-18 and 9-1-18. You can access this magazine at https://www.lds.org/ensign/2017/11?lang=eng. Bonus points if you can tell me which page of the magazine these two sketches come from!
I also draw something from the yard. Sometimes I do gesture drawings of kids running around and playing. Those almost always turn out terrible, but I think it’s good practice.
Sketches of various plants found in my backyard between 6-25-18 and 7-13-18
All of the above are easy to do and take maybe a half hour total. I draw in pen so that I don’t obsess and give in to my perfectionist tendencies. I draw what I see, and when I make a mistake, I just move forward. Even if the drawing won’t end up perfect, I learn something from drawing it, so I finish anyway.
I also do a study from artwork by an artist I admire, trying to copy it as best as I can. Some I always do a pencil sketch first, others I just dive in and see how it goes. This takes about a half hour to an hour. When I finish, usually all I can see are the mistakes. A few days later, if I look back, I usually think it turned out okay. Some of the artists I consistently study are Chris Riddell, Stephen Cartwright, Bill Watterson, Skottie Young and Quentin Blake. Often, I’ll just copy a piece of an illustration.
When I do a study from a published illustrator or draw a person from a magazine, I always write down the reference next to the picture. That way, I always know what is mine and what is not. Right now, that’s mostly pretty obvious, but I want to make sure I’m honest.
Any questions or comments? I’d love to hear from you. What has helped you as an artist? Who are your favorite artists? What do you wish you had the resources and time to do, and what’s stopping you from doing it?
Subscribe to Blog via Email